Although space travel has quite a few roadblocks before becoming accessible to the average person, a powerful computer may be all one needs to experience it now. SpaceEngine is the ultimate simulation program for astronomy enthusiasts and allows users to explore virtually anything in our known universe.
From black holes to distant galaxies, the program uses actual astronomical data to help generate uncharted territory with detailed renderings of stars and galaxies numbering in the trillions. A solo developer named Vladimir Romanyuk created it using a variety of textures, some of which are contributed by users.
Our generation is practically glued to our gadgets, so it's hard to blame anyone for not finding time to exercise. Even while you're reading this article, you're probably not moving very much. For those of us dealing with the "cloudiness" which comes with depression or stressful days, endorphins are the ultimate hormone to improve your mood and alleviate these symptoms naturally.
Michael Abrash, the chief scientist for Facebook's Oculus, took the stage during day two of the F8 Developer Conference in San Francisco to blow everyone's mind with some trippy optical illusions. During the keynote, Abrash highlighted some interesting illusions to explain how we can trick our eyes into thinking what we're seeing is reality. And according to Abrash, these perceptions, and the assumptions our brain makes about them, are what make virtual reality work.
Peter Kogler, an internationally renowned Austrian artist who lives and works in Vienna, has hypnotized the world with his latest psychedelic installations at the ING Art Center in Brussels.
Using paint and projections, he makes simple galleries, lobbies and transit centers look distorted, warped and twisted. Born in Innsbruck in 1959 and living in Vienna, Peter is one of the pioneers of the computer-generated art. He has been creating art for more than 30 years and still manages to surprise the viewers.
One of the biggest modern myths about agriculture is that organic farming is inherently sustainable. It can be, but it isn’t necessarily. After all, soil erosion from chemical-free tilled fields undermined the Roman Empire and other ancient societies around the world. Other agricultural myths hinder recognizing the potential to restore degraded soils to feed the world using fewer agrochemicals.
The internet is much more than just the publicly available, Google-able web services most online users frequent – and that’s good for free expression. Companies frequently create private networks to enable employees to use secure corporate servers, for example. And free software allows individuals to create what are called “peer-to-peer” networks, connecting directly from one machine to another.
This stunning timelapse footage from the new Planet Earth II series on BBC One captures a wide variety of unusual fungi as it blooms at night. The clip is from the latest Jungles episode (UK only) and includes a few specimens that were shot for the very first time by Steve Axford. Unfortunately, watching Planet Earth II anywhere outside the UK legally is almost impossible until early next year, so you’ll have to hang tight for the whole episode.
The recent earthquake in Nepal demonstrated yet again how difficult it is to reliably predict natural disasters. While we have a good knowledge of the various earthquakes zones on the planet, we have no way of knowing exactly when a big quake like the 7.8-magnitude event in Nepal will happen.
Cancer is big news; we often hear of some kind of cure for some version of the illness. But whether it’s a “natural cure” or a promising molecule on its way to becoming a new medicine, there are ways non-scientists can assess if the research underlying the big claims stacks up.
Here are some tips to help you evaluate whether a cure claim is justifiable (spoiler: the evidence is rarely robust enough).
My lightpaintings have been called the first unique art form of the twenty-first century. If you think you are amazed by them in the video, think of how I feel inside them creating one.
I still get goose bumps thinking about how lucky I am to be able to work in such an amazing medium. As great as they look on the screen to see one in person kicks it up a notch. We have nothing in our visual memory to prepare ourselves for paintings that are created just with light.